Description

Untitled (Last Supper) by Death NYC
Artist Proof, Silk-screen print, Signed and Certified

In this audacious work, Death NYC orchestrates a clash of iconographies, sacred, profane, and pop, with clinical precision and visual irreverence. At the center stands supermodel Kate Moss, stylized as a contemporary deity of consumer desire. Her confident pose, bare-chested but unflinching, is interrupted by two hand grenades emblazoned with the Supreme logo. These explosive objects cover her breasts, not to censor, but to weaponize.

Behind her, the faint yet unmistakable silhouette of Leonardo da Vinci’s The Last Supper repeats like a haunted cultural watermark. This isn’t merely a backdrop; it’s a confrontation, a staging of capitalist spectacle against Christian iconography, collapsing centuries of moral tradition into a single silkscreen layer. Christ’s final meal becomes the consumer’s final glance, repurposed, pixelated, and looped.

The signature red bow atop Moss’s head appears both playful and mocking. It’s a bowtie to a bomb, an echo of cartoon femininity overlaying the reality of commodified bodies. The entire image bristles with contradictions: eroticism and violence, beauty and branding, sacrifice and seduction.

Death NYC’s piece is not just pop surrealism, this is a culture grenade, mid-detonation. It critiques how modern society mythologizes celebrity with the same reverence once reserved for saints. Moss is neither victim nor idol here. She is a conduit, a battlefield, and a billboard.

This is postmodern martyrdom a commentary on the transactional nature of fame, where even sacred spaces like the Last Supper can be franchised into aesthetic decor. In this world, everything is up for sale: faith, fashion, femininity.
And Death NYC’s work dares to name the price.